Psalm 95
TITLE. This Psalm has no title, and all we know of its authorship is that Paul quotes it as "in David." (Heb 4:7.) Indeed, this may merely signify that it is to be found in the collection known as David's Psalms; but if such were the Apostle's meaning it would have been more natural for him to have written, "saying in the Psalms; "we therefore incline to the belief that David was the actual author of this poem. It is in its original a truly Hebrew song, directed both in its exhortation and warning to the Jewish people, but we have the warrant of the Holy Spirit in the epistle to the Hebrews for using its appeals and entreaties when pleading with Gentile believers. It is a psalm of invitation to worship. It has about it a ring like that of church bells, and like the bells, it sounds both merrily and solemnly, at first ringing out a lively peal, and then dropping into a funeral knell as if tolling at the funeral of the generation which perished in the wilderness. We will call it THE PSALM OF THE PROVOCATION.
DIVISION. It would be correct as to the sense to divide this psalm into an invitation and a warning so as to commence the second part with the last clause of Ps 95:7: but upon the whole, it may be more convenient to regard Ps 95:6 as "the beating heart of the psalm, "as Hengstenberg calls it, and make the division at the end of Ps 95:5. Thus it will form (1) an invitation with reasons, and (2) an invitation with warnings.
Verse 2. Let us come before his presence with thanksgiving. Here is probably a reference to the peculiar presence of God in the Holy of Holies above the mercy seat, and also to the glory which shone forth out of the cloud which rested above the tabernacle. Everywhere God is present, but there is a peculiar presence of grace and glory into which men should never come without the profoundest reverence. We may make bold to come before the immediate presence of the Lord—for the voice of the Holy Ghost in this psalm invites us, and when we do draw near to him we should remember his great goodness to us and cheerfully confess it. Our worship should have reference to the past as well as to the future; if we do not bless the Lord for what we have already received, how can we reasonably look for more. We are permitted to bring our petitions, and therefore we are in honour bound to bring our thanksgivings. And make a joyful noise unto him with psalms. We should shout as exultingly as those do who triumph in war, and as solemnly as those whose utterance is a psalm. It is not always easy to unite enthusiasm with reverence, and it is a frequent fault to destroy one of these qualities while straining after the other. The perfection of singing is that which unites joy with gravity, exultation with humility, fervency with sobriety. The invitation given in the first verse (Ps 95:1) is thus repeated in the second (Ps 95:2) with the addition of directions, which indicate more fully the intent of the writer. One can imagine David in earnest tones persuading his people to go up with him to the worship of Jehovah with sound of harp and hymn, and holy delight. The happiness of his exhortation is noteworthy, the noise is to be joyful; this quality he insists upon twice. It is to be feared that this is too much overlooked in ordinary services, people are so impressed with the idea that they ought to be serious that they put on the aspect of misery, and quite forget that joy is as much a characteristic of true worship as solemnity itself.
Singing Psalms
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