Psalm 87
TITLE. A Psalm or Song for the Sons of Korah. A sacred hymn and a national lyric. A theocracy blends the religious and the patriotic ideas in one; and in proportion as nations become Christianized, their popular songs will become deeply imbued with pious sentiments. Judged by this standard, our land is far in arrears. This "Psalm or song" was either composed by the sons of Korah, or dedicated to them: as they kept the doors of the house of the Lord, they could use this beautiful composition as a Psalm within the doors, and as a song outside.
SUBJECT AND DIVISION. The song is in honor of Zion, or Jerusalem, and it treats God's favor to that city among the mountains, the prophecies that made it illustrious, and the honor of being a native of it. Many conceive that it was written at the founding of David's city of Zion, but does not the mention of Babylon imply a later date? It would seem to have been written after Jerusalem and the Temple had been built and had enjoyed a history, of which glorious things could be spoken. Among other marvels of God's love in its later history, it had been untouched by Sennacherib when other cities of Israel and Judah had fallen victim to his cruelty. It was during Hezekiah's reign that Babylon became prominent when the ambassadors came to congratulate the king concerning his recovery, at that time also Tyre was more famous than at any period in David's day. But as we have no information, and the point is not important, we may leave it, and proceed to meditate upon the Psalm itself. We do not need to divide so brief a song.
Verse 7. In vision the Psalmist sees the citizens of Zion rejoicing at some sacred festival, and marching in triumphant procession with vocal and instrumental music:—As well the singers as the players on instruments shall be there. Where God is there must be joy, and where the church is increased by numerous conversions the joy becomes exuberant and finds out ways of displaying itself. Singers and dancers, Psalmists and pipers, united their efforts and made a joyful procession to the temple, inspired not by Bacchus, or by the Castalian fount, but by draughts from the sacred source of all good, of which they each one sing All my springs are in thee. Did the poet mean that henceforth he would find all his joys in Zion, or that to the Lord he would look for all inspiration, comfort, strength, joy, life and everything. The last is the truest doctrine. Churches have not such all sufficiency within them that we can afford to look to them for all, but the Lord who founded the church is the eternal source of all our supplies, and looking to him we shall never flag or fail. How truly does all our experience lead us to look to the Lord by faith, and say "all my fresh springs are in thee." The springs of my faith and all my graces; the springs of my life and all my pleasures; the springs of my activity and all its right doings; the springs of my hope, and all its heavenly anticipations, all lie in thee, my Lord. Without thy Spirit I should be as a dry well, a mocking cistern, destitute of power to bless myself or others. O Lord, I am assured that I belong to the regenerate whose life is in thee, for I feel that I cannot live without thee; therefore, with all thy joyful people will I sing thy praises.
"With joy shall sing the choral train,
The minstrels breathe the answering strain:
`O Zion, Zion fair, I see
The fountains of my bliss in thee.'"
Singing Psalms
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