"All Hallows"
by
Walter de la Mare
'And because time in itselfe...can receive no alteration, the hallowing...must consist in the shape or countenance which we put upon the affaires that are incident in these days.'
---Richard Hooker
It was about half-past three on an August afternoon when I found myself for the first time looking down upon All Hallows. And at glimpse of it, fatigue and vexation passed away. I stood 'at gaze', as the old phrase goes—like the two children of Israel sent in to spy out the Promised Land. How often the imagined transcends the real. Not so All Hallows. Having at last reached the end of my journey—flies, dust, heat, wind—having at last come limping out upon the green sea-bluff beneath which lay its walls—I confess the actuality excelled my feeble dreams of it.
What most astonished me, perhaps, was the sense not so much of its age, its austerity, or even its solitude, but its air of abandonment. It lay couched there as if in hiding in its narrow sea-bay. Not a sound was in the air; not a jackdaw clapped its wings among its turrets. No other roof, not even a chimney, was in sight; only the dark-blue arch of the sky; the narrow snowline of the ebbing tide; and that gaunt coast fading away into the haze of a west over which were already gathering the veils of sunset.
We had met, then, at an appropriate hour and season. And yet—I wonder. For it was certainly not the 'beauty' of All Hallows, lulled as if into a dream in this serenity of air and heavens, which was to leave the sharpest impression upon me. And what kind of first showing would it have made, I speculated, if an autumnal gale had been shrilling and trumpeting across its narrow bay—clots of wind-borne spume floating among its dusky pinnacles—and the roar of the sea echoing against its walls! Imagine it frozen stark in winter, icy hoar-frost edging its every boss, moulding, finial, crocket, cusp!
Indeed, are there not works of man, legacies of a half-forgotten past, scattered across this human world of ours from China to Peru, which seem to daunt the imagination with their incomprehensibility? Incomprehensible, I mean, in the sense that the passion that inspired and conceived them is incomprehensible. Viewed in the light of the passing day, they might be the monuments of a race of demi-gods. And yet, if we could but free ourselves from our timidities, and follies, we might realize that even we ourselves have an obligation to leave behind us similar memorials—testaments to the creative and faithful genius not so much of the individual as of Humanity itself.
However that may be, it was my own personal fortune to see All Hallows for the first time in the heat of the Dog Days, after a journey which could hardly be justified except by its end. At this moment of the afternoon the great church almost cheated one into the belief that it was possessed of a life of its own. It lay, as I say, couched in its natural hollow, basking under the dark dome of the heavens like some half-fossilized monster that might at any moment stir and awaken out of the swoon to which the wand of the enchanter had committed it. And with every inch of the sun's descending journey it changed its appearance.
That is the charm of such things. Man himself, says the philosopher, is the sport of change. His life and the life around him are but the flotsam of a perpetual flux. Yet, haunted by ideals, egged on by impossibilities, he builds his vision of the changeless; and time diversifies it with its colours and its 'effects' at leisure. It was drawing near to harvest now; the summer was nearly over; the corn would soon be in stook; the season of silence had come, not even the robins had yet begun to practice their autumnal lament. I should have come earlier.
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